Atmosphere

Posted byChantelle GriffinPosted inWorldbuilding TipsTags:, ,

OLYMPUS DIGITAL CAMERAThat strange substance that fills in the gaps and trickles through to give depth to the story can be rewarding. Atmosphere is like a fine balancing act between giving enough detail, and too much that would detract from the story. I am guilty of not providing enough detail with my first draft. This is where it is helpful to know your weakness when writing.

Details

It can be great to write down ideas as you think of them, yet this can little room for all those other bits. It is a learning process, and one that is good to get feedback on. It is easy for the writer to imagine the world as the story moves along. In addition there needs to be enough detail intertwined in the story to pull the reader along. Like little bread crumbs or corner stones that hold the picture together igniting the senses and the imagination.

Story

Story telling is as much about creating an image as it is a journey, evoking memories of places, colours and smells, light and dark. The atmosphere assists with filling the reader with a believable world to step into from one page to the next. If you have spent a great deal of time creating the back story and world building this is where all the hard work can make a world of difference. This is not the time to go into massive detailed explanations which can remove the suspense and mystery from the story. Rather it has to do with enhancing the scenes and bringing them to life.

Balance

This is an area that I am still working on, much like a work in progress. Finding the elusive middle ground somewhere between the action sequence and the background. Where the journey and the experience are well grounded in the created world, yet the world remains part of the background. If there is too much background this can stall the story, yet it needs to be there in glimpses shining through and marking the way. Safe to say it is going to take me a while to get the hang of it, especially in the first draft. Thank goodness for editing.

Published by Chantelle Griffin

Chantelle’s mother remains one of the most famous witnesses in Australian legal history. The first large screen movie the author saw, at the age of nine, had an actress playing her as an infant when she was at Uluru on 17 August 1980 at the same campsite as the Chamberlains. She began publishing poetry later in life with the first release coinciding with the fortieth anniversary of the disappearance of Azaria. While most poems have been released in the volumes for the anthology, more than a thousand were written throughout a twelve year period. Chantelle has a Master of Environmental Planning and enjoys life at half pace with two cats. Her first fantasy book was released too soon, after a near death experience and a second edition was published four years later. She resides in Tasmania and continues to write as a past time in the evening.